首页 恐怖片 电影 我有毒  FFU线路  HD中字
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正在播放:FFU线路  HD中字
导演:Daniel de la Vega,Pablo Parés
主演:Esteban Prol,Horacio Fontova,Sergio Podelei,Gastón Cocchiarale,Fini Bocchino,Verónica Intile,Goyo Escardó,Demián Salomón,Rodrigo Ferreyra
类型:恐怖片         年份:2018年
地区:其它         语言:其它
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  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.

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我有毒 HD中字

类型:恐怖片

导演:Daniel de la Vega,Pablo Parés

主演:Esteban Prol,Horacio Fontova,Sergio Podelei,Gastón Cocchiarale,Fini Bocchino,Verónica Intile,Goyo Escardó,Demián Salomón,Rodrigo Ferreyra

介绍:  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.


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